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Living In The Shadows 2

Posted by Webby on 2013-09-06 10:00:17 | Views: 166634 |

Movie Synopsis:

Sequel to Caught In The Shadows. Features: Mercy Johnson, Funke Akindele, Chika Ike, Sugar C. Asoegwu, Tony Goodman. Queen, (Mercy Johnson) has her mission well planed out. Her father is an aspiring president who will do anything to win the election ahead of him. Queen used his desperation to her advantage. She is the daughter he had out of wedlock and hid it from the public. His reputation is at stake, which was the only asset Queen has at her disposal to nail him down. His only way to make amends is to provide everything she needs including that of her friends. But Queen had her own plan of becoming the next president, her hidden agenda.


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Ada Aronu | Lola Alao | Yvonne Nelson | Juliet Ibrahim | Ecow Smith-Asante | Majid Michel | Femi Branch | Queen Nwokoye | Van Vicker | Camilla Mberekpe | Uche Micheal | Judith Mazagwu | Akume Akume | Ladi Joy Torty | Barbara Ukattah | Blessing Effiom | Sophia Tchidi Chikere | Chinelo Ndigwe | Nadia Buari | Michael Okon | Ini Ikpe | Yvonne Jegede | Bruno Iwuoha | Robert Peters | Thelma Nwosu | Fabian Adibe | Rita Nzelu | Sunday Omobolanle (Papa Aluwe) | Christopher Bassey | Nathaniel Ruskin | Chigozie Atuanya | Kenneth Chukwu | Femi Brainard | Benedict Johnson | Padita Agu | Joan Agabi | Chiwetalu Agu | Regina Askia | Bukky Ajayi | Franca Brown | Kelvin Ikeduba | Abby Plaatjes | Sandra Achums | Ashley Nwosu | Saidi Balogun | Sam Dede | Hank Anuku | Uchenna Ogbodo | Rita Edochie | 2Face Idibia | Susan Patrick | Ola Balogun | Hubert Ogunde

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History

The first Nigerian films were made by filmmakers such as Ola Balogun and Hubert Ogunde in the 1960s, but they were frustrated by the high cost of film production. However, television broadcasting in Nigeria began in the 1960s and received much government support in its early years. By the mid-1980s every state had its own broadcasting station. Law limited foreign television content so producers in Lagos began televising local popular theater productions. Many of these were circulated on video as well, and a small scale informal video movie trade developed. Nigerian film is thus a video movie industry; Nigerians call them 'home videos'. There is some debate concerning what caused this small local market in videos to explode into a booming industry that has pushed foreign media off the shelves in much of Africa and is now marketed all over the world. Use of English rather than local languages served to expand the market. Aggressive marketing using posters, trailers, and television advertising also played a role in Nollywood's success. Many point to the 1992 release of Living in Bondage, a film about a businessman whose dealings with a money cult result in the death of his wife, as the industry's first blockbuster. Since then, thousands of movies have been released. One of the first Nigerian movie to reach international fame was the 2003 release Osuofia In London, starring Nkem Owoh, the famous Nigerian comedic actor. Modern Nigerian cinema’s most prolific auteur is Chico Ejiro, who directed over 80 films in a 5-year period and brags that he can complete production on a movie in as little as three days. Ejiro’s brother Zeb is the best-known director of these videos outside of the country.

The first Nollywood films were produced with traditional analog video, such as Betacam SP, but today all Nollywood movies are produced using digital video technology. Only recently, Time magazine published an article rating the industry as the third-largest after Hollywood and Bollywood.

Production

In the early days, Nollywood had one studio, Studio Tinapa in Tinapa, Calabar. Most movies, however, are not produced in studios in the Hollywood style. Video movies are shot on location all over Nigeria with distinct regional variations between the northern movies (made primarily in the Hausa language), the western Yoruba-language movies, the Igbo movies shot in the southeast,(Benin City) Edo Language shot in Benin city and the popular English-language productions, also shot primarily in the southeast. Many of the big producers have offices in Surulere, Lagos. Shooting films in Nigeria is difficult.

Nigerian directors adopt new technologies as soon as they become affordable. Bulky videotape cameras gave way to their digital descendents, which are now being replaced by HD cameras. Editing, music, and other post-production work is done with common computer-based systems.

Related Links

  • See List of Nigeria Movie Producers
  • See List of Nigeria Movie Directors
  • List of Nigeria Nollywood Top Actors