Worst Enemy - Part 4
Movie Synopsis:
Features:
Watch Movies By:
Ada Aronu |
Lola Alao |
Yvonne Nelson |
Juliet Ibrahim |
Ecow Smith-Asante |
Majid Michel |
Femi Branch |
Queen Nwokoye |
Van Vicker |
Camilla Mberekpe |
Uche Micheal |
Judith Mazagwu |
Akume Akume |
Ladi Joy Torty |
Barbara Ukattah |
Blessing Effiom |
Sophia Tchidi Chikere |
Chinelo Ndigwe |
Nadia Buari |
Michael Okon |
Ini Ikpe |
Yvonne Jegede |
Bruno Iwuoha |
Robert Peters |
Thelma Nwosu |
Fabian Adibe |
Rita Nzelu |
Sunday Omobolanle (Papa Aluwe) |
Christopher Bassey |
Nathaniel Ruskin |
Chigozie Atuanya |
Kenneth Chukwu |
Femi Brainard |
Benedict Johnson |
Padita Agu |
Joan Agabi |
Chiwetalu Agu |
Regina Askia |
Bukky Ajayi |
Franca Brown |
Kelvin Ikeduba |
Abby Plaatjes |
Sandra Achums |
Ashley Nwosu |
Saidi Balogun |
Sam Dede |
Hank Anuku |
Uchenna Ogbodo |
Rita Edochie |
2Face Idibia |
Susan Patrick |
Ola Balogun |
Hubert Ogunde
History
The first Nigerian films
were made by filmmakers such as Ola
Balogun and Hubert
Ogunde in the 1960s, but they were frustrated by the high cost of
film production. However, television broadcasting in Nigeria began in
the 1960s and received much government support in its early years. By
the mid-1980s every state had its own broadcasting station. Law limited
foreign television content so producers in Lagos began televising local
popular theater productions. Many of these were circulated on video as
well, and a small scale informal video movie trade developed. Nigerian
film is thus a video movie industry; Nigerians call them 'home
videos'. There is some debate concerning what caused this small local
market in videos to explode into a booming industry that has pushed foreign
media off the shelves in much of Africa and is now marketed all over the
world. Use of English rather than local languages served to expand the
market. Aggressive marketing using posters, trailers, and television advertising
also played a role in Nollywood's success. Many point to the 1992 release
of Living
in Bondage, a film about a businessman whose dealings with a money
cult result in the death of his wife, as the industry's first blockbuster.
Since then, thousands of movies have been released. One of the first Nigerian
movie to reach international fame was the 2003 release Osuofia
In London, starring Nkem
Owoh, the famous Nigerian comedic actor. Modern Nigerian cinema’s
most prolific auteur is Chico
Ejiro, who directed over 80 films in a 5-year period and brags that
he can complete production on a movie in as little as three days. Ejiro’s
brother Zeb is the best-known director of these videos outside of the
country.
The first Nollywood films were produced with traditional analog video,
such as Betacam SP, but today all Nollywood movies are produced using
digital video technology. Only recently, Time magazine published an article
rating the industry as the third-largest after Hollywood and Bollywood. Production
In the early days, Nollywood had one studio, Studio Tinapa in Tinapa, Calabar. Most movies,
however, are not produced in studios in the Hollywood style. Video movies
are shot on location all over Nigeria with distinct regional variations
between the northern movies (made primarily in the Hausa language), the
western Yoruba-language movies, the
Igbo movies shot in the southeast,(Benin
City) Edo Language shot in Benin city and the popular English-language
productions, also shot primarily in the southeast. Many of the big producers
have offices in Surulere, Lagos. Shooting films in Nigeria is difficult.
Nigerian directors adopt new technologies as soon as they become affordable. Bulky videotape cameras gave way to their digital descendents, which are now being replaced by HD cameras. Editing, music, and other post-production work is done with common computer-based systems. Related Links |
Movie Review(s)
Total Rating:





Your Reviews
I dont knw why all these copied from ghana and 9gira stuff seems to be a subject here, copy right is nt a new thing, so we shld watch and stop insulting the good job done by our movie industries, thkx.
by rachy
8/5/2008 3:25:09 AM
it was a good movie,but i did not understand the end,if you come from niger,you will understand what i mean,the rich get away with things like killing and taking away peoples right,so the END OF THIS MOIVE IS NOT NOT GOOD,BECAUSE I KNOW SHE WILL COME OUT OF T FREE
by victzie
7/24/2008 9:54:05 AM
YUP...DEY DID COPY IT FROM GHANA..YALL SHOULD BE ASHAMED OF UR SELVES NIGERIA...HYPOCRITES
by Africanchick9
7/19/2008 11:41:08 PM
There is no need to insult anyone here my dear children. Anyway, Im proud 2 b a 9igerian. but this movie is a carbon copy of beyonce. And i dnt knw y. 9ija can do better than this!
by sugarboo
7/16/2008 12:40:37 AM
Quite a relief to know that d real owners of the story line are Nigerians. We are one Ghana, but Nigeria na d Papa and Mama of Africa.
by maryray
7/13/2008 10:01:29 PM
wats up with all the copying shit. common writers lets get busy. Nollywood can do better.
by kelmine
7/13/2008 1:38:37 AM
@JOSY I FEEL YOU... AND THEN THEY COPIED THE INDIAN MOVIE SUNITA.. WITH THE WHOLE CHANGING FACE AND ALL..DAYUM THEY NEED WRITERS SHUU...
by mynameiskemi
7/13/2008 12:53:34 AM
copying is ok but having the same story line is a bad thing ever,
the origin of this movie is VICTIM OF LOVE acted by nigerians and it was produced in 2002.so ghananian copied from it and came with the title (beyonce,president daughter) and here comes another one-a nigeria one for that matter with the same story line whc is so dumn.
by josy
7/13/2008 12:38:16 AM
i8 thk u people did a gud job by copyin ghana people lol,at least u tried hard...continue...
by obeycece
7/12/2008 11:39:59 PM
this is the sequel to ONE ON ONE. nice movie.
by carol
7/12/2008 4:24:51 PM
is this a sequel to any movie cause i dont know
by isatou_90
7/12/2008 4:11:52 PM
though its nice its a copy of ghana movie...beyonce
by prisca29
7/12/2008 2:51:11 PM




